CSU Poetry Center, 2019.
“Mohammed Khaïr-Eddine’s poems speak from 1969 to the present with urgency, through an explosively anachronistic act of translation by Conor Bracken. As Khaïr-Eddine writes in ‘Black Nausea,’ the poems ‘offer to the future this weird / fruit / which speaks in the mouths / of the thousands of innocents dead / in our black blood.’ The distortive energies of Khaïr-Eddine’s ‘linguistic guerilla war’ agitate for a politically convulsive poetry that dares to be strange, spastic and abjectly sublime. This is a return of a political surrealism when its convulsive bloom is most needed.” —Johannes Göransson
CSU Poetry Center, 2019.
“Mohammed Khaïr-Eddine’s poems speak from 1969 to the present with urgency, through an explosively anachronistic act of translation by Conor Bracken. As Khaïr-Eddine writes in ‘Black Nausea,’ the poems ‘offer to the future this weird / fruit / which speaks in the mouths / of the thousands of innocents dead / in our black blood.’ The distortive energies of Khaïr-Eddine’s ‘linguistic guerilla war’ agitate for a politically convulsive poetry that dares to be strange, spastic and abjectly sublime. This is a return of a political surrealism when its convulsive bloom is most needed.” —Johannes Göransson
